Walking with Rodin.

When he was talking about his sculpture “The Walking Man,” Rodin comes up with the wonderful quote: “It is not my Walking Man in himself that interests me, but rather the thought of how far he has come, and how far he has yet to cover.”

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“The Burghers of Calais” being paraded before the public.

This quote I feel applies both to the recent British Museum exhibition “Rodin and the art of ancient Greece,” which examines the influence of the sculptures from antiquity, in particular the Parthenon, on Rodin, and also Rodin’s own philosophy that enjoyed the effect that time has on sculptures (the lack of limbs, heads and general knocks that they have taken over the millennia), and makes a feature of it in his own work.

The Elgin marbles in the British Museum never really grabbed my attention before, but this exhibition made me have a truly great respect and admiration for the sculpture created by Pheidias. The man was a genius in how he could transform and manipulate the cold hard and heavy marble into living flesh, and to make it look as if it weighed hardly anything.

090818 r2Apart from the drawing at the top of Rodin’s “The Burghers of Calais”, for which I found a convenient seat, it was too crowded in the exhibition to be able to draw anything comfortably, so I took myself off to the Parthenon Gallery within the British Museum to view the remnants that didn’t make it to the exhibition, and here I managed to draw this horses head, originally one of four that was pulling a god’s chariot from out of the waves.

 

Seeing “Red”.

We went to see the excellent play called “Red” by John Logan, on Friday evening, up in the West End. Set in Mark Rothko’s Bowery studio in Manhattan, during the late 1950’s, when he was in the process of creating the Seagram murals for the Four Seasons Restaurant. A project that was abandoned1959-60, with the Tate Gallery in London being the beneficiary of a decade or so later.

The play has just 2 actors, Alfred Molina as Rothko, and Alfred Enoch as his assistant, Ken, with no interval and intense dialogue (you have to admire the actors), the thought processes going on in the painters head are well developed with Ken being the innocent simple foil against the complexities of Rothko.

There is, at the end, just a hint that the tide had turned with Ken moving on, and Rothko in a slight mental knot which may have led to the pulling of the plug on the commission, and eventually into the drinking and depression that followed through the 1960’s.

This play has left me wanting to read and find out more on Rothko, and his thinking. Leaves me to say, thank you Jane for taking me.

300718 - Seeing Red

Waiting room at Charing Cross station.

Finding Adam Dant at The Map House.

Finding The Map House is easy if you have a map. I thought I would try my hand at cartography and draw you one:
260718 - Map House 1

OK – not very good, but it should get you there.

I’ve always been interested in maps, whether they are modern day Google maps, Ordnance Survey maps, or ancient maps way back before the globe, when they thought that the world was flat, and if you sailed too far west you would fall off the edge.

Adam Dant’s exhibition “Maps of London & Beyond” was only on for a couple of weeks or so, and I went along on the last day. The maps are social, satirical, and very observantly drawn with a bunch of history thrown in for good measure. Drawn painstakingly in pen and ink with watercolour tinting these are very witty documents.

260718 - Map House 3The Maps and views he depicts are so detailed and full of tiny observations of everyday life, it is evident that he has been to “St James’s Square,” “Sloane Square,” or wherever, spending time with a sketchbook, and keeping his eyes open. Wonderful.

Other maps are themed, such as “Shoreditch 3000” showing the archaeology of the area, looking back from the year 3000. “Museum of the Deep” details all the shipwrecks in the Thames estuary – it is a crowded place!

My favourites were one called “Argotopolis” which shows the topology of London slang, and another called “London Enraged” which maps out all the riots and upheavals in London throughout history ranging from Boudica in AD 60, to the Brixton riots of 1981, 1985, and 1995.

260718 - Map House 2The Map House itself is fascinating enough. It is not a wide frontage onto the street, and you enter as though into a ship’s cabin of a room, but it reaches back a long way with various staircases going up and down onto different decks. It is like being on a sailing ship. With walls adorned with maps and charts, you can easily imagine yourself at sea. All you need is a ship’s wheel to steer, and a parrot on your shoulder. Well worth a visit, even if the Adam Dant exhibition is sadly now finished.

Last Paintings. Howard Hodgkin R.I.P.

 

190718 - HH - Grosvenor Hill

Grosvenor Hill, London W1

I got lost looking for the Gagosian Gallery which is presently showing the Last Paintings of Howard Hodgkin.

Well, not exactly lost. I did manage to find Grosvenor Hill OK, but then proceeded to walk straight past the gallery without a second glance.

Eventually, by retracing my steps, and by process of elimination, it had to be the big modern building on the corner.

Stupid!

 

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Gagosian Gallery, London W1

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How Now! West Raynham and Houghton Hall.

280817 - West Raynham from St Margaret's church - Large

 

We have just spent a few wonderful days staying in West Raynham in Norfolk courtesy of Janet and David.

The weather was very warm allowing us to get out and about a bit subject to avoiding the bank holiday traffic.

I came away with lots of thoughts and ideas for future artworks – so watch the next few blogs to see what happens!

280817 - Gravestones at St Margaret's, West Raynham - Large

Above is a sketch I did of some gravestones in the overgrown churchyard of the ruined St. Margaret’s at West Raynham. They look keen to get out and join the cattle in the meadow beyond. I wish I’d had a white pencil, or Conté crayon to depict the long grass catching the sunlight in the foreground.

270817 - Houghton Hall collage - lge

 

Very pleased to discover Houghton Hall was home to an impressive exhibition of works by Richard Long. Largely in the grounds and gardens, but also in the hall itself. This runs until 26th October 2017. Go see it! The collage shows:

A Line in Norfolk.

 

Full Moon Circle.